Big Man On Canvas
There are two ways to handle being a cultural public figure. One is to be guarded, and to speak with scholarly precision. The other-when his big project casts its “Independence Day” shadows across the art world and his NEWSWEEK counterpart wants to do a story about him-is to invite this critic, in a voice that’s half Rumpole of the Bailey, half Oral Roberts, to his SoHo loft for a chin-wag about the state of things....